Coping With Osmophobia or the Fear of Smells

Coping With Osmophobia or the Fear of Smells Phobias Types Print Managing Osmophobia or the Fear of Smells By Lisa Fritscher Lisa Fritscher is a freelance writer and editor with a deep interest in phobias and other mental health topics. Learn about our editorial policy Lisa Fritscher Medically reviewed by Medically reviewed by Claudia Chaves, MD on July 29, 2016 Claudia Chaves, MD, is board-certified in cerebrovascular disease and neurology with a subspecialty certification in vascular neurology. Learn about our Medical Review Board Claudia Chaves, MD Updated on November 23, 2019 Peopleimages/Getty Images More in Phobias Types Causes Symptoms and Diagnosis Treatment Osmophobia, defined in medical dictionaries as a morbid fear of smells, is relatively rare as a stand-alone phobia. However, it is fairly common among those who suffer from migraine headaches. Some migraine sufferers report that their headaches are triggered by strong scents. Understandably, this connection could lead to a fear of smells. Regardless of whether or not headaches are present, however, osmophobia can feel overwhelming. However, osmophobia is more than just a fear. It is a true phobia whereby fear becomes extreme, and in some cases, irrational. Phobias can have debilitating effects on sufferers that interfere with their ability to complete daily activities. Osmophobia and Migraines A 2015 Brazilian study found that of 235 patients with headaches, 147 patients were  diagnosed with migraines and 53 percent of the migraine sufferers had osmophobia. The study also found that among the headache patients, those with migraines and a significant number of years of headache history presented more signs of osmophobia. In some cases, a certain smell can trigger a migraine in the population prone to these severe headaches. Triggers The sense of smell is highly personalized, and what smells wonderful to one person might smell terrible to the next. In addition, odors are heavily linked to memories of past experiences. Smelling Grandmas favorite perfume or the flowers that were in bloom the day you proposed to your wife can trigger a sudden flood of positive memories. Likewise, those suffering from osmophobia may be triggered by a wide range of possible scents. Symptoms Extreme anxietyDry mouthRapid breathingIrregular heartbeatNauseaExcessive sweatingInability to articulate words or sentencesShaking or tremblingShortness of breath Osmophobia and Other Disorders Besides migraines, osmophobia is sometimes related to other disorders. For example, those with chemophobia, or the fear of chemicals, may have a strong aversion to any chemical odor. People with a fear of animals might react strongly to any animal scents. Those who are afraid of water may be sensitive to the smell of the ocean. Management Like any phobia, osmophobia that is unrelated to a medical condition generally responds well to a variety of therapeutic techniques. Systematic desensitization, in which you are gradually exposed to the feared scent, is particularly helpful. If your osmophobia is related to migraines, however, let your therapist know. Your doctor will need to be involved in your treatment to ensure that you do not worsen your headaches. Other Treatments   Cognitive Behavioral Therapy helps patients recognize their triggers  and helps develop coping techniquesMedications used to treat anxietyMeditation and relaxation techniquesExposure therapyPsychotherapy

The Dark Side Of Human Nature - 1788 Words

Through the character of Montressor, the dark side of human nature is exemplified. Through the thoughts, acts, and words of Montressor, one is able to see him carry out his devious plan for revenge on Fortunato. Indicated through his words, Montressors’ true character is shown. His revengeful tone sets the nature for what is to follow throughout his story. Montressors’ motivation stems from the hurt Fortunato has caused him many times. Montressor states, â€Å"The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge† (Poe, 179). Montressor is a cold, unrepentant murderer, who is a manipulative, and condescending man trying to justify his actions and reasoning for killing Fortunato. While†¦show more content†¦Convincing him more, Montressor tells Fortunato that because of his cough that he can ask Luchresi to taste his new wine instead of he. This giving Fortunato a fair chance to â€Å"escape†, however Montressor knows that he will not pick up on this. This being because Fortunato is so highly intoxicated by this point. Offended, Fortunato continues on with Montressor into the catacombs trying other wines along the way. Fortunato begins to grow impatient with Montressor because he is being â€Å"stalled† from getting to assess and try the Amontillado. While this is occurring, he doesn’t realize that he has been brough to the end of the catacombs where he is then chained to the wall. While Montressor is walling up Fortunato, he begins to sober up very quickly. Realizing what is happening and starts to begin begging to be released and have mercy on him. Everything we are told and known as the outside reader is only from the point of view through the diabolical mind of Montressor. He is easily insulted, envious of Fortunato, and a little bizarre. His tendency for being offended branches from his own insecurities; an insecurity that could lead to him to create a story about skillfully masterminding the perfect murder/ revenge. Such as continually making him look like fool, his jealousy of Fortunato leads to him directing everything to make him look stupid. Such as the way he explains the w ay heShow MoreRelated Exploring the Dark Side of Human Nature in The Killers Essay2228 Words   |  9 PagesExploring the Dark Side of Human Nature in The Killers      Ã‚  Ã‚  Ã‚   Hemingways The Killers illustrates that unexplained violence is an integrated part of society.   To acknowledge the cruelties of life is to come to terms with horrifying events that can not be denied.   A person may lack the maturity to cope with everyday life if they do not realize that evil can exist in any given society.      Ã‚  Ã‚  Ã‚   The story is told in the objective point-of-view.   Hemingways approach to his story is different;Read MoreThe Duality Within People By Christopher Nolan s The Dark Knight1278 Words   |  6 PagesWithin People The eternal struggle between good and evil is seen within human nature, as it is one of the most complex and controversial topics analyzed by many philosophers since the Ancient Greeks. 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Generals die in Bed by Charles Yale Harrison is a novel where a young Canadian soldier tells of his first hand account of the harsh and inhumane conditions in the trenches on the Western Front during World War 1. Through his observations and experiences the Narrator shows the effects of war on ordinary people and how they manage in extraordinarily horrific situations. Even though the brutal nature of the war is often reflectedRead MoreBiography and Works of Robert Frost794 Words   |  3 PagesBiography: On the outside, Robert Frost’s life seemed easy, but what happened in his life explains why he wrote about a darker side of human nature. Frost was born on March 26, 1874 in San Francisco. According to â€Å"Frost’s Life and Career† on Modern American Poetry, Frost lived there until he, his mother, and his sister moved to Massachusetts after the death of his father. That is where he married Elinor Miriam White, and had six children, two of them dying as babies . Frost grew tired of the MassachusettsRead MoreThe Dark Knight, By Christopher Nolan1398 Words   |  6 PagesThe human nature is a very strange aspect of the human race but it is also an important aspect in everyday life; it makes people who they truly are. Human nature in a way is like water in a container, it takes the form depending on how the container is shaped. It depends on how one attributes and characteristics are set, which is what molds a person to be who they truly are. The Dark Knight, which is directed by Christopher Nolan, is the second installment on Nolan’s batman trilogy. It is a storyRead MoreHuman Nature In Lord Of The Flies Essay1552 Words   |  7 Pagesthe events of World War One. â€Å"Human beings are savage by its nature, and are moved by urges toward brutality and dominance over others†. This is a recurring issue in William Golding’s, Lord Of The Flies. Not only where characters demonstrate elements of human nature beyond civilized human beings as they were struggling in a society with no rules nor civilization, but also as the novel is Golding’s attempt to trace the defects of society back to the defects of human nature. The world is an evil placeRead MoreStevenson and Conrad: The Duality of Human Nature 949 Words   |  4 Pagesliterary device of symbolism to further display the theme, the duality of human nature in his novella Heart of Darkness. Three major examples of symbolism are evident in this novella. These examples include, light and dark, the Congo River, and ivory. Similar to Stevenson, Conrad uses light and dark symbolism throughout his novella. Yet curiously in Heart of Darkness, light does not symbolize genuine goodness nor does dark symbolize pure calamity. Marlow proves this when he says as a comment to theRead MoreThe Joker : The Nemesis Of Batman1680 Words   |  7 Pageshas been represented in many different and conflicting ways. However, underneath his manic grin and crazy green hair, the Joker has always represented the inner madness and chaos evident in humanity. He is the despised but also integral part of human nature. It is hard to imagine that the Joker was originally slated for death after the first issue of Batman. However, the then editors of DC comics decided to allow this memorable and unique character to continue into future issues of Batman comicsRead MoreCompare And Contrast The Man In The Black Suit And The Devil868 Words   |  4 PagesThe devil works in many ways, he tries to mess with our heads, put fear within ourselves, make us feel hatred towards others, and to make us believe human nature is only evil. In two short stories the devil tries make two protagonist see only evil. Stephen King’s short story â€Å"The Man in the Black Suit,† and Nathaniel Hawthorne’s short story â€Å"YOUNG GOODMAN BROWN,† show the devil at his best trying to get the protagonist to see evil. The devil uses his language, and his appearance to meet his motives

Sally Hansens Insta-Dri Fast Dry Nail Color Advertisement...

Cosmopolitan is a women’s magazine for fashion, sex advice, dating tips and celebrity news. This magazine has been around since 1886, but it had a totally different concept, until 1965. When it was first launched in 1886 by Paul Schlicht, it was considered a family magazine. It wasn’t until 1965 when a woman by the name of Helen Brown took over the magazine in seeking somewhere women could go to get advice on various topics. Now the magazine is being run by Kate White, Editor in Chief. Because Cosmo contains explicit information that is not advised to people under eighteen, its demographic is women who are at the ages of eighteen and older, Some grocery stores have to cover it up because of the complaints of its sexually explicit†¦show more content†¦One ad that was found in this magazine is an advertisement for Sally Hansen Insta-Dri Fast Dry Nail Color. The ad for Sally Hansen Insta-Dri Fast Dry Nail Color caught my eye because it uses an intriguing analogous color scheme, of magenta and deep purple. The ad shows a female’s hand with nails that have shiny flashy fuchsia polish and she seems to be buckling her shoe. She has on a flirty peep-toe purple heel and has uptempo purple nail polish on her toenails. The ad captives the reader with its catch line of â€Å"Nail Color Newsflash. One Stroke. One Coat. Done.† This slogan explains that with one stroke of the brush that one will have full coverage of the nail polish on your nail. The ad also says that one coat, which means that with one coat ones nail with be fully covered with nail polish. The ad also gives in more details of the advantages of the Nail Color, such as the one-stroke application, one-coat coverage, and that it dries in just 60 seconds. The ad shows the twenty- four shades of nail colors for this brand. This is one of the many products made by Sally Hansen. Sally Hansen is known for their beauty products. When advertising their products they use the slogan, â€Å"Beauty that Works.† They have a wide variety of products that help with body, hands, lips, feet, face, and hair removal. Sally Hansen has a three page advertising spread in this magazine because of the people that read it appeal to their

Film and Classicism Free Essays

Film scholars have long divided films into three stylistic categories: Realism, Classicism, and Formalism. The purpose of style-the way in which motion picture form molds content-depends on how the filmmaker approaches the narrative formation of the story he has decided to tell, the goal of a classicist is to tell a story in the best way possible. When I see films I like to escape my own reality so I’m choosing to write about Classicism. We will write a custom essay sample on Film and Classicism or any similar topic only for you Order Now From the realism and formalism stand point, the classical style falls somewhere in between and is the more dominant way of telling the story, meaning this is what most film styles are, so it reaches a larger audience. Although classicism falls in between the genres of realism and formalism, most classicism films will lean more towards either realism or formalism (Giannetti, 2008). Realism, unlike classicism, is all about showing the truth. A realist will try to carry on the illusion that their film is an impartial reflection of the real world. Realism is about everyday people in everyday situations, for instance a documentary or your sister’s wedding filmed by your uncle Ted. The director wants the audience to feel like the events have actually happened and get inside the characters mind. Classicism, on the other hand, is fictional but it reminds you of the world we know, it’s all about idyllic storytelling. The narrative classical is typically based on a conflict between a central character who creates a problem and the adversary who resists it. Most films in this form begin with wanting to know how the lead character is going to get what he/she wants in the face of substantial opposition. The characters in classicism cinema are appealing and romanticized and audiences are encouraged to identify with the characters’ values and goals (Giannetti, 2008). The characters in the classical movie are played by actors and actresses instead of unknown people. (Giannetti, 2008) And at the other end of the scale we have formalism. Formalistic film makers sometimes do not even have characters and avoid a story all together. They have no desire to show reality. Formalism wants to show their own image of the world, sometimes to the extreme where it’s just abstract images and music to create an emotional and psychological experience. Classicism on the other hand, has images that are determined by the relevance of the story rather than the desire for authenticity, as is realism, or a desire for formal beauty, as formalism desires. Film critic, Herman G. Weinberg, describes the connection between the story and film flawlessly when he states, â€Å"The way a story is told is part of that story. You can tell the same story badly or well; you can also tell it well enough or magnificently. It depends on who is telling the story† (Giannetti, 2008, p. 8). Classism style rarely calls attention to itself, as realism and formalism styles do. (Giannetti, 2008) Yet, classicism is the leading style in films, it focuses on the story the film is trying to portray to the audience. Creating a realistic world and telling the story through an hidden lens to entertain an audience is the main reason I like this type of film. I want to get lost in the characters and feel like I’m taking part in the story. How to cite Film and Classicism, Essay examples

William Bartram Romantic scientist Essay Example

William Bartram: Romantic scientist Paper The Romanic Age, which took root in the 18th century and extended into the 19th century, inspired trends in art, philosophy, music and literature. Innovators of the movement focused attention on the individual and the power of singular thought, which intimately related Romanticism with the European Enlightenment. It was not enough to privilege the Scientific Method and taxonomy as seats of intellectual power: poets and philosophers were lauding personal imagination, spontaneity, and contemplative mysticism as means to investigate higher concepts. Tales of exotic lands and ancient time periods became en vogue; explorers and naturalists were regarded as oracles to a fuller spiritual life. The relationship between art and nature was most provocatively realized in the figure of William Bartram, the American naturalist whose own poetic work influenced some of the most notable creative figures of the Romantic movement, and thus the lingering Romanticism in contemporary art. Born in Pennsylvania in 1739, Bartram was America’s first native naturalist, and the son of John Bartram. As a child, Bartram was exposed to nature through his father’s travels and the family’s garden; he learned to sketch and cultivate exotic plant specimens. In 1791, his triumphant exploration of North and South Carolina, Georgia, Florida, Alabama, Mississippi, Louisiana and Tennessee was chronicled in a published text called Travels and Other Writings; in it, Bartram broke new literary and scientific ground by detailing the natural landscape of the southern United States from a personal point of view as well as from a detached, taxonomical framework. We will write a custom essay sample on William Bartram: Romantic scientist specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on William Bartram: Romantic scientist specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on William Bartram: Romantic scientist specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The text was â€Å"a source of images ranging from ‘roaring’ alligators and crashing waterfalls to fragrant magnolias and natural fountains throughout the nineteenth century â€Å" (Nichols 305). In this way, Bartram situated himself as an icon of the Romantic Age: he fused art and science, he allowed for creativity and (seemingly) spontaneous personal reaction to inform his writing, and he elevated the study of nature to a spiritual level. Travels and Other Writings enjoyed profound success in Europe, and there, many of the great Romantic poets found themselves inspired by Bartram’s descriptions of the wild, reckless wetlands of Florida and the exotic Native Americans who populated the South and Southeast on the continental United States. â€Å"His direct influence is evident in literary works by Wordsworth, Coleridge, Dorothy Wordsworth, Shelley, John Keats, and many others,† including direct attributions from Coleridge and Wordsworth, who â€Å"went so far as to footnote Bartram in order to record his debt for the image of the fabulous cypress spire† (Nichols 305-6). Bartram brought the myth of the great American frontier to life for European readers, placing in their hands (which most likely rested in comfortable armchairs) tales of natural wonder that was both available and conquerable. This legendary territory was rendered through Bartram’s naturally lyrical language; â€Å"[h]is vivid writing style combined with careful observations to produce powerful images of the natural wonders of the New World† (Nichols 305-6). Bartram fundamentally affected the way the greatest of the Romantic poets interpreted the sublime aspect of Nature, and the way they gained access to the wild American landscape. â€Å"His prose is full of lyrical descriptions, sensuous language, and metaphors worthy of a poet. In addition, his rhetorical technique combines remarkably accurate field observations with an ability to link these details through imaginative and analogical thinking† (Nichols 306). His legacy was perpetuated not only by generations of naturalists and botanists, but by poets and philosophers who continued the creative Romantic movement. His understand of the inherent provocative element of nature inspired others to take the metaphors even further. Works Cited Nichols, Ashton. Roaring Alligators and Burning Tygers: Poetry and Science from William Bartram to Charles Darwin1. Proceedings of the American Philosophical Society 149. 3 (2005): 304-315.

If You Could Hire a Screenwriter from Hollywood Whom to Steer Clear of

If You Could Hire a Screenwriter from Hollywood Whom to Steer Clear of If You Could Hire a Screenwriter from Hollywood: Whom to Steer Clear of? Imagine you are in a film school and have an idea for a movie so you want to hire a screenwriter from Hollywood to write your movie. You have always dreamed of directing a film and premià ¨ring in the Sundance festival. Which Hollywood screenwriter would you pick? We have compiled a list of 4 Hollywood screenwriters who we would avoid and why. Although these screenwriters are popular and accomplished, each has their own idiosyncrasies or over the top qualities that make them the wrong fit for your film. 1. Kevin Smith To the innumerable mob of followers, Kevin Smith is known and loved for his matchless style of lowbrow humor, bathroom jokes and obsession with comic books. Perhaps he is so popular because so many teenage boys can relate to him, pot heads feel validated by his films, or no deep thinking is needed to have a laugh at one of his movies. There is something to be said for making things very simple and easy to access, it is a formula that works. But, unless your dream film involves cheesy, try-hard antics and copious sex jokes, perhaps you should pass on Smith as your Hollywood dream screenwriter. 2. David Lynch David Lynch has a trademark style that is all his own. He is a great screenwriter, but having him write your screenplay would be like taking Michael Jackson’s moonwalk and passing it off on your own. Lynch has a great style, it’s just that it belongs to him alone. His technique involves mystery, oddities and at times, an element of the psychopath.   His films and shows sometimes contain open endings leaving the viewer free to make their own interpretations. 3. Quentin Tarantino Trarantino films leave us feeling disturbed, entertained, thoughtful and nostalgic all at the same time. Tarantino films often indulge in and glorify graphic violence that distracts from the film. The brutality leaves an impression, but, it is not favorable. Despite that Tarantino has another trademark quality. The dialog between characters in his films is hypnotizing. He makes the most banal subject read like poetry. It really is magic. But very few people can make this type of dialog work, so its best left to Tarantino. 4. Slavoj iÃ… ¾ek iÃ… ¾ek is a psychoanalytic  philosopher, Marxist, critic of  capitalism  and  neoliberalism, political radical and a film critic to name a few of the hats he wears. His views philosophy and beliefs are all over the place. While he is expressive and charismatic, his talk and ideas can be incoherent leaving the viewer, or reader overwhelmed. He utter opinions about psychological traits of films without offering references, and he descends into monologues without trying to be understood, and invents symbolism where none actually exists. You might look for a more coherent screenwriter if you want your movie to be well received. So, let us know what you think. Which Hollywood screenwriter would you choose, or pass on, and why?

Initialisms and Acronyms

Initialisms and Acronyms Initialisms and Acronyms Initialisms and Acronyms By Mark Nichol Most people know what an acronym is. But few are as familiar with term initialism, or of an important distinction between the two. An acronym is an initial abbreviation that can be pronounced as a word, such as NASA or WASP. This term is also used to refer to a series of initials pronounced individually, such as FBI or TGIF, but the technical term is initialism. What’s the BFD (â€Å"big, fat deal,† though another word starting with f is sometimes used)? The answer is the. Because acronyms like NASA are pronounced as words (â€Å"na-suh,† in this case), there’s no need to precede them with the definite article: You wouldn’t write â€Å"Budget cutbacks hit the NASA hard.† (Though the is essential if NASA is used as an adjective, as in â€Å"Budget cutbacks hit the NASA project hard.†) But initialisms require the: â€Å"The FBI announced his capture several hours later.† That’s because the term is pronounced letter by letter: â€Å"eff-bee-eye.† (The only usage that omits the definite article is in a headline: â€Å"FBI Announces Suspect’s Capture.†) And when do you use an acronym or an initialism, when do you spell it out, and when do you do both? In more formal writing, the standard approach is to introduce an agency, organization, or some other entity that uses such an abbreviation, or abbreviations of terminology, by spelling out the name on first reference. If a subsequent reference (called, in publishing, the second reference, no matter how many times it is repeated) appears in proximity say, the same paragraph and few, if any, other abbreviations appear in the interim, simply use the abbreviation thereafter. However, if the next usage is farther away, it’s best to insert the abbreviation in parentheses immediately after the spelled-out reference to establish an association in the reader’s mind when it’s not supported by proximal use of the abbreviation. If the abbreviation is not mentioned again for some time, or it appears only up to a handful of times, spelling it out again (perhaps every time) is a good idea. Depending on the term and the publication, however, the hand-holding parenthesis may be unnecessary. Many specialized publishers maintain a list of abbreviations familiar to readers of their publications that specifies whether each one requires abbreviation accompanying the spelled-out first reference, or needs to be spelled out at all. For example, an astronomy magazine is likely to note in its house style guide that NASA does not need to be spelled out, and many other publications do likewise because of the familiarity of the agency’s name in our society. By contrast, less common abbreviations like OEM (original equipment manufacturer) should be spelled out except in a manufacturing-industry publication. As with many usage prescriptions, it’s all about the context. Oh, and one more point, so to speak: Notice that no acronym or initialism in this post includes periods. They’re generally considered outdated and superfluous. Even two-letter forms like AM and PM, MD and RN, and BC and AD go without, though US stubbornly retains them in many publications. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Style category, check our popular posts, or choose a related post below:12 Greek Words You Should Know8 Proofreading Tips And Techniques5 Ways to Reduce Use of Prepositions